When I came to illustrating it in watercolour, I decided against having all double page spreads with dark woodland backgrounds. Instead, I would have mainly vignettes on the white page, showing the animal characters emerging from the tangle of the wood. This way there would be a greater emphasis on their interaction with each other, rather than static scenes. There would be a couple of exceptions, one being the spread on the final page showing Tanglewood wide awake and buzzing with life.

I drew on memories from my childhood when writing and illustrating this story. As a child, I lived in West Sussex, very close to Knepp, now a rewilding centre. My father was a nature poet and countryman who knew the birds and their songs and where to watch badgers, while my mother taught us the names of the butterflies and flowers and showed us the secret woodland places where rare orchids grew, and wild daffodils bloomed in the spring. Now I live in a city, and I see the countryside of my childhood vanishing and children today missing out on the natural world I took for granted.
In this book, I want to inspire children to connect with the natural world, to spark their curiosity, and encourage them to feel a feel a responsibility to protect the environment.
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Many thanks to Gillian for sharing the background of Tanglewood – which Nicola Davies described as “A gorgeous, engaging story which shows that forests need animals just as much as animals need forests”. You can find out more about Tanglewood and Gillian’s other titles using the links below.