Q and A Branford Boase Harry Trevaldwyn
Harry Trevaldwyn headshot

Brandford Boase Shortlist Q & A with Harry Trevaldwyn

Each year the Branford Boase award celebrates debut children’s authors and their editors.  As it always does, this year’s shortlist showcases a great selection of new fiction and narrowing the finalists to one will be a difficult process.

We invited all the shortlisted authors and their editors to answer a few questions about their books which we hope readers of all ages will find interesting.  Below Harry Trevaldwyn and his editors Emma Jones and Charlie Castelletti’s  answer our questions about Harry’s book

From an Author's POV

Congratulations! The Branford Boase shortlist has featured many popular authors as they started out. What does it mean to make this shortlist?

It’s so exciting, especially to be on the list with Emma and Charlie!! And yes, looking at all the authors that have made the list before… it feels like powerfully good company to be in! Pleased as punch.

Lots of librarians use this list to host book clubs in their schools, what would you love young readers to take from your book?

I really hope they see that a bit of delusion can be a good thing, especially when it comes to love.

Drama King

The Branford Boase celebrates debut fiction, where did the idea for your book come from, how long did it take from idea to holding your book, and did your book turn out how you thought it might when you started?

I think it came from a bit of ‘what if’ mentality. I was always so curious about what my life would have been like if I had been ‘out’ at school. So I gave those potential experiences to Patch. I had always loved romances and comedies but hadn’t really felt like a ‘romantic lead’ like Patch existed. Once I had him in my mind, I couldn’t wait for the book to be finished. I think it probably took me about a year to finish it and I’m so proud of the finished product; without sounding arrogant it’s exactly the book I would have wanted to read when I was younger.

Many readers of your nominated book will be students between 8 – 13 years old (some are slightly older ahem). What book do you remember reading at that time that has stuck with you into adulthood?

Angus Thongs and Full Frontal Snogging and His Dark Materials were two big ones for me. And I still love romance, comedy AND fantasy so nothing has changed much.

We’d love to know: the Worst Bit, the Best Bit and a Random Rest bit about writing a book for young people.

Worst Bit: CARING TOO MUCH WHAT YOUNG PEOPLE THINK- I’m still on a desperate mission to impress my younger cousins and it is a humiliating experience for all involved.

Best Bit: Seeing how the culture has changed in young people, I think they get a lot of bad press but I have found the young people I’ve met through the experience of writing the book to be so much more welcoming, progressive and kind than I anticipated.

Random Rest: I would say having people respond to Jean has been such a lovely thing, she’s my favourite (don’t tell Patch).

~

A Word from the Editors

Congratulations! The Branford Boase shortlist has featured many popular authors as debuts and their editors. What does it mean to make this shortlist?

It means the world to us to be recognized by the Branford Boase Award – what an honour! Not only is it recognition of Harry’s fantastic debut, but it’s also so meaningful to be highlighted alongside Harry for working on this brilliant piece of queer fiction, especially in the current climate. It’s never been more important to champion inclusive stories and we are so proud to be on this shortlist.

How has being an editor changed in the last 2 years with the increasing access to AI tools?

While there are some AI tools that can be helpful in improving operational efficiency, AI hasn’t changed the heart of what we do as editors. We will always continue to search for brilliant authentic voices, which are irreplaceable!

For students reading wondering how a book comes together, what top three skills do you think are necessary for being an editor in 2026?

First and foremost, a passion for stories, and a sense of your own personal taste. This will ensure you’re always working to make a book the very best it can be for its intended readership. It’s also important to be able to look outward – an awareness of the wider world your readers are living in, so you can engage with what people actually care about right now. Finally, being able to approach a project with a big-picture lens is crucial to ensure you can see how all the elements of a story stitch together and provide cohesive, holistic notes.

Many readers of your nominated book will be teenage students.  What book do you remember reading at that time that has stuck with you into adulthood?

Charlie: For me, it was big, iconic, speculative worlds. Twilight, The Hunger Games, Divergent . . . you know the type!

Emma: I loved those too, but I was all about voice-led, relatable fiction when I was a teenager. Judy Blume and Jacqueline Wilson – I couldn’t get enough!

We’d love to know: the Worst Bit, the Best Bit and a Random Rest bit about editing a book for young people.

  • Worst bit: The humbling moment where you suggest an edit that your author has to correct – because you’re too old to get the reference . . .
  • Best bit: It’s always going to be hearing from young people about what they loved. The editing process puts us straight back into that teenage headspace, and getting that feedback from kids and teens is so rewarding.
  • Random rest: It’s always fun to try and get a room full of serious adults thinking like kids!

~

Many thanks to Harry, Charlie and Emma for answering our questions about Harry’s debut novel The Romantic Tragedies of a Drama King.  You can find out more about this book below and catch up with all the Branford Boase shortlist books on our Book Awards page here.

The Romantic Tragedies of a Drama King

Harry Trevaldwyn ISBN: 9781035049202

“One of the funniest, warmest YAs to be published this decade.” – Charlotte Eyre, The Bookseller “Beyond hilarious and totally brilliant … filled with so much heart, humour and warmth, it is THE perfect teen romcom! A total delight to read.” – Beth Reekles, bestselling author of The Kissing Booth “Funny, voicey and fresh . . .” – Elle McNicoll, author of Some Like it Cold The Romantic Tragedies of a Drama King is the hilarious YA rom-com debut from actor and comedian Harry Trevaldwyn, perfect for fans of Heartstopper. First there was Bridget Jones. Then there was Georgia Nicolson. Now get ready to meet Patch Simmons . . . Patch has decided that this is the year he will get a boyfriend. Fate finally intervenes when two new mysterious boys join drama club: Peter, who’s just moved from New York (very chic) and his best friend, Sam. Patch is confident that one of them will be his first boyfriend. So, armed with his over-supportive best friend Jean and an alarming level of self-confidence, Patch sets out to make his mission a success. Whether or not they actually like boys or him is a problem for later. “Funny and full of heart, Patch is up there with the great whingers Adrian Mole, Georgia Nicolson, and Bridget Jones. – Monica Heisey, bestselling author of Really Good, Actually

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